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Wednesday, 19 February 2020

REVIEW: The Strange Tale of Charlie Chaplin and Stan Laurel at HOME, Manchester


Told By An Idiot, The Strange Tale of Charlie Chaplin and Stan Laurel is a slapstick, made up story set in 1910, created around a picture with Stan Laurel and Charlie Chaplin on their way to America as part of Fred Karno’s famous music hall troupe. On this journey, Charlie and Stan shared a cabin and then spent two years together touring North America, with Stan as Charlie’s understudy. This show is a take on their meeting on the boat during this time. 

I went to see this show during its run at the HOME theatre in Manchester. A nice small proscenium arch stage with a 3-tiered seated theatre. Sat in the middle of the stalls I had a fantastic view, but I believe that the view would be good no matter where you sit at this theatre. When you walk into the auditorium the house music is 1920’s type flapper music, setting the feel of the time and the ‘silent movie’ theme.

This show is mainly silent, using quips and slapstick humour from old silent movies for which Charlie Chaplin was famous for. There is no dialogue in the show, the only sound coming from the music, the physical movements and the occasional singing. It took me a moment to get into the silent mode of the show, however once I was in the zone, I found it very compelling and engaging, however I felt that I was taken from this slightly during the random musical singing moments.
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Tuesday, 28 May 2019

REVIEW: All I See is You at the Hope Mill Theatre, Manchester


We’ve all felt the irresistible pull of love. The sensation that the world could melt away, but if that one person was left behind with you all would be ok. However, what happens when that love is between two men in a world where the law forbids it. That world is our world, 50 years ago when being who you were warranted a prison sentence. 

Bobby spots Ralph and immediately falls in love, but after they’re caught having an intimate encounter by Ralph’s father, Ralph calls it off and they’re forced to live apart leading polar opposite existences. Bobby chooses to follow who he is and ends up dominating the secreted Manchester gay scene, whilst a closeted Ralph pursues his ambition of becoming a school teacher and courting a woman in order to deny his true identity from himself and others. However, when the two men finally see each other again they’re love is instantly reignited and they embark on a passionate affair. But in a world where their love is illegal, it’s only a matter of time before they’re reported, forced into interrogation rooms, maltreated, and talk of jail sentences and aversion therapy arises. 
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Thursday, 29 November 2018

REVIEW: Proof at the Hope Mill Theatre in Manchester


Proof. That’s all any of us search for as humans. Affirmation. We seek to be validated for our own successes, to prove, in our own personal way, that our own position in society is absolute; and in order to survive we provide proof that we are worthy. However, what happens when your proof gets questioned by the ones who mean the most to you?

David Auburn’s 2001 Pulitzer Prize winning play sees Catherine; the daughter of this generation’s most celebrated mathematician, come to terms with the loss of her father, and the fear she might be succumbing to the same early onset dementia that took him from her; whilst also dealing with her sister Claire flying in from New York to help the post-mortem dust settle and the sudden increased presence at the family home of Hal; her fathers ex student. However, soon enough Catherine’s sanity is started to be questioned by those around her, and her claims of mathematical discovery are challenged as by products of her own mental instability and deemed as her father’s intellectual property and not her own. Through the fractured narrative of flash back, present day and within Catherine’s mind, Auburn takes you on a twisted journey chartering the genial exploration of Catherine’s own sense of self worth, whilst not only questioning how she can prove herself as a mathematician (whilst standing in the shadows of a great,) but also prove her own sanity. 
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Friday, 27 July 2018

REVIEW: Fame the Musical at the Palace Theatre, Manchester


After a not so successful production of Fame in 2014, produced by Bill Kenwright, the return of the show was a slight surprise to many in the industry. Selladoor productions haven’t got the best reputation here at pocket, with their productions often slated as cheap and amateurish. However, the bar has been raised with this new production. 

Fame tells the story of a new year beginning at a performing arts school and the challenges they face going through that. Unfortunately, the writing didn’t allow the storylines to really develop very much and a lot of things were skimmed past but the elements that were explored were good and had the audience wrapped around the productions little finger. 

An element that fills me with dread are the two words ‘Actor Musician’. I have seen far too many productions where this is used as a way to avoid spending money and it hasn’t worked but this was very carefully done. Only a few actors play instruments but it’s within the context of the show and showcased the actors amazingly. 
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Tuesday, 17 October 2017

Cast announced for the Manchester Royal Exchange production of GUYS AND DOLLS



Guys and Dolls, produced with Talawa Theatre Company is being Directed by Michael Buffong. It will be set on the streets of Harlem during one of New York City's 'most significant cultural awakenings'. It will feature the original music from composer and lyricist Frank Loesser.


The cast includes Koko Basigara (Allison), Evonnee Bentley-Holder (Mimi), Nathanael Campbell (Liverlips Louis), Darren Charles (Society Max), Ewen Cummins (Lieutenant Brannigan), Chelsey Emery (Agatha), Ray Fearon (Natahan Detroit), Kurt Kansley (Harry the Horse), Danielle Kassarate (Angie the Fox), Fela Lufadeju (Benny Southwest), Melanie Marshall (General Matilda B.Cartwright), Ako Mitchell (Nicely-Nicely Johnson), Abiona Omonua (Sarah Brown), Javar Parker (Rusty Charlie), Joe Speare (Big Julie), Jaime Tait (Calvin), Toyan Thomas-Browne (Moe), Trevor A Toussaint (Arvide Abernathy), Lucy Vandi (Miss Adelaide), T'shan Williams (Martha) & Ashley Zhangazha (Sky Masterson).
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