Recent Posts

Saturday, 28 March 2020

10 of the Best Theatre related Guinness World Records!

Longest theatre performance - individual

The longest marathon theatre performance by an individual lasted 110 hr 46 min and was achieved by Adrian Hilton (UK) when he recited the complete works of Shakespeare in a 'Bardathon' at the Shakespeare Festival, South Bank, London, UK between 16-21 July 1987. Adrian's chosen spot on the South Bank was the location of the original Globe Theatre.

Most expensive theatre production

“Spider-Man: Turn Off the Dark”, the musical based on the legendary comic superhero, is the most expensive production in the history of the theatre. As of 14 June 2011, the show’s record cost climbed to $75 million, the largest investment ever for not only a Broadway production but for the West End or anywhere in the world where there has ever been a stage.

Highest-grossing Broadway show

As of the week ending 1 March 2020, Disney’s The Lion King had grossed $1,680,389,582 (£1,310,480,000) since opening on Broadway in October 1997. A total of 15,696,974 seats have been sold for the musical across 9,292 performances (including 33 previews). It is now the third-longest running show on the Great White Way, behind the 1996 revival of Chicago and 1988's The Phantom of the Opera.

Tuesday, 24 March 2020

10 Songs that are used in more than one musical

Inspired by the release of the new Moulin Rouge musical cast recording, we noticed that quite a few of the songs have been used in more than one musical. Following some research, we've pulled together a list of 10 songs that are featured in more than one musical, from Jukebox to Rodgers and Hammerstein theres some surprises! 

Whats Love Got to Do with It

The Song was originally sung by Tina Turner and released in 1984, the song went to number 1 on the US Billboard Hot 100 and stayed there for three weeks. This song is, of course, featured in the musical TINA: The Tina Tuner Musical. This musical tells the story of Turners life and originally opened in London in 2018 with a Broadway production planed to open in November 2019. The song is also sung by Miss Understanding in the musical version of the Australian film, Priscilla Queen of the Desert. It is also featured briefly in the musical version of Moulin Rouge in the Elephant Medley.


Friday, 13 March 2020

REVIEW: Once Upon A Mattress at Upstairs At The Gatehouse

Mary Rodger’s musical adaptation of the Hans Christian Anderson fairy tale, The Princess and the Pea is rarely revived in London, so Mark Giesser’s production of Once Upon A Mattress is welcome, but ultimately disappointing.

In a kingdom ruled by Queen Aggravain, none shall marry until Prince Dauntless The Drab finds a bride, who must pass the Queen’s test to prove she is a genuine Princess. As the show begins, Princess number 12 is found to be unsuitable, and the search continues. Enter Princess Winifred, a gutsy tomboy who arrives by swimming the moat, proving that Princesses need not fit the stereotype. The show carries a strong message, and has great subtext, but this production tends to linger on the surface, offering a two-dimensional view.

REVIEW: Bin Juice at The Vaults

‘Bin Juice’ directed by Anastasia Bruce-Jones is playing in The Cavern at The Vaults until the 15th March. If you’ve never been to The Vaults, as a venue it’s known for being damp, hot and dark... a very fitting setting for this play that shies away from none of these things. 

A fast paced glimpse in to a surreal world of waste disposal to the extreme is navigated by three actresses: Adeline Waby, Madison Clare and Helena Antoniou, playing ‘bin ladies’. We meet them interviewing Belinda, (Antoniou), to become their apprentice and by the end we learn the true meaning to the cost of waste disposal. 

It’s a fairly standard start to the play, watching it you feel as if the actress’s are pushing both vocally and rhythmically- but it being the first night in a new space as the run settles in this will probably subside. That being said the back and forth between Antoniou and Waby, (as Francine), is berating throughout and doesn’t feel reactive or that they are listening to each other. Throughout the piece the pair are fairly unadventurous with their choices almost bulldozing through any attempt of comic pause or dramatic tension, and it’s hard to get on board with their characters as they just seem a bit too young to be playing them. The light relief in this, and throughout the whole piece, is the wonderfully measured and detailed performance both physically as well as emotionally of Madison Clare as the slightly dim but endearing Marla. The jewel of the show is a back and forth driven by Clare about faces on food packaging- a wonderfully witty and nuanced delivery. The only time we ever hit any empathy for a character is nudged at during a speech about Marla’s fear of flies and finding her mother dead, but there just doesn’t seem enough air given to it, maybe a choice deliberately made but doesn’t pay off. 

Strictly Come Dancing star Kevin Clifton to star in the UK tour of STRICTLY BALLROOM THE MUSICAL

Former Strictly Come Dancing champion Kevin Clifton is to star in the 2020/2021 UK & Ireland tour of Baz Luhrmann’s smash hit STRICTLY BALLROOM THE MUSICAL, playing the lead role of Scott Hastings, which makes its West Midlands premiere at Wolverhampton Grand Theatre from 5 – 10 October 2020. Tickets are on sale now.

After seven glorious years on Strictly Come Dancing, last week Kevin announced his departure from the series and now he makes a full-time move into the world of musical theatre in a role that couldn’t be more perfectly suited.

Kevin Clifton said: “I’m beyond excited to be finally fulfilling a lifelong ambition to play Scott Hastings in Strictly Ballroom The Musical. When I was 10 years old I first watched the movie that would become my favourite film of all time. This is my dream role. Plus I get to work with Craig Revel Horwood again! I really can’t wait to don the golden jacket and waltz all over the UK from September this year in what’s set to be an incredible show!”

The musical is based on the award-winning global film phenomenon, Strictly Ballroom, which inspired the world to dance. Directed by Craig Revel Horwood, this all-singing, all-dancing and all-glittering show is set to dazzle audiences once more with the new 2020/21 tour.
Blog Design Created by pipdig