
As theatres around the country wait to hear whether the Arts Council will include them as a National Portfolio Organisation in support of the new ACE 10-year strategy to “recognise and champion the creative activities and cultural experiences of every person in every town, village and city in this country, and to ensure that more people express and develop their creativity and create more opportunities for them to enjoy the widest possible range of culture”, the Watermill in Newbury is staging a perfect example in its latest production and related activities.
After a thirteen-venue outdoor tour of local towns and villages, the production of Camp Albion arrives for a two-week stay at the Watermill Theatre. Its themes of protest against authority, ecological campaigning, youth culture and mental health pressures will resonate strongly with many under thirties while the dilemma of a road system fit for purpose versus the environmental damage its construction causes will remind their parents of the difficult decisions and compromise that society needs to sometimes face. One campaigner says “it’s a protest, not a war” but at times these standoffs feel more like war than simply putting across a point of view.

The verbatim style speeches set out very well the arguments around the destruction of historic woods to make way for the enhanced A34 to eliminate bottlenecks around Newbury town centre with the views of security guards, protesters, local residents and the Under Sheriff. It leaves a clear impression that many campaigners were ahead of their time in their campaigning on ecological issues but also highlights the peculiar coalition of different groups such protests create. References to the real-life protestor’s camps such as Redding’s copse & Bangor Lane route the setting in the location and period. The events at the time were made public by the national and local media reporting, today of course it would be consumed in a plethora of social media that seems more effective in creating a sense of importance to the arguments.

Georgie Straight as the Director ensures these elements are slickly and simply weaved together with an even pace and that the message comes across loud and clear but the play while interesting and well-staged lacks real drama. It was curious that after an outdoors tour they should have chosen to stage this in the theatre instead of the picturesque grounds outside the venue where they so successfully staged shows last year. The greenery of the very woods the play referenced would have enhanced the setting and added to the debate. However, the internal sound effects were wonderfully evocative and added the only real drama to the piece.

Review by Nick Wayne
Rating: ★★★
Seat: Stalls, Row E | Price of Ticket: £25