Monday, 17 August 2015

Cast announced for London Premiere of See What I Wanna See

Casting is announced today for Michael John LaChiusa’s Off-Broadway hit See What I Wanna See, which will receive its London Premiere in a limited 4-week run at Jermyn Street Theatre from Tuesday 8 September to Saturday 3 October, with a press night on Friday 11 September, 7.30pm.

The cast features Jonathan Butterell as The Janitor/The Priest, Marc Elliott as The Thief/A Reporter, Cassie Compton as Kesa/The Wife/An Actress, Mark Goldthorp as Morito/The Husband/A CPA and Sarah Ingram as The Medium/Aunt Monica.

Sunday, 16 August 2015

EDINBURGH FRINGE REVIEW: The Eulogy of Toby Peach, Underbelly

When he was 20 years old, roughly two and a half thousand days ago, Toby Peach was diagnosed with cancer. Now in remission for the fourth year, his self-delivered eulogy is the story of his life, how he fought cancer twice and how he lived to tell the tale.

It’s a superb solo show, written with care, emotion and strangely bags of wit and energy. We laugh throughout and then are left icy cold when Peach’s storytelling demands it. 

Scenes set in the Cancer Club depict cancer as a sleazy but alluring character, mixing cocktails for the audience and making Toby feel special at his inclusion in the club. 


Focusing on one man’s desire to win Gold, Tether tells the story of athlete Mark who unwillingly becomes a guide for blind marathon runner Becky.

Proud and egotistical, Mark is far from the warm heart needed to support prickly Becky and the two quickly lock horns as a power battle ensues. Over time, the two find a common ground and Mark spies opportunity in supporting Becky to fulfil his quest for medal validation. 

Writer Isley Lynn has clearly done extensive research into the sport and has dug deep into the world of Paralympic athletes and in doing so, has created an authentic and honest script. 


Who knew a block of yellow sponge could be so engaging?!

Bruce is a simple but compelling story of love, action and adventure displaying some wicked storytelling and performed by The Last Great Haunt.

Just two performers, one puppet and a few change of eyes is all that is needed to bring this rich and colourful tale to life which whizzes by leaving the audience desperate for more.

Uplifting, laugh out loud funny and immensely warm, the success of this piece is its simplicity. Amazing vocal skills and strong physical performances make Bruce seem incredibly human this show is by far one of the most feel-good in Edinburgh.


Based on true events, Brute follows the life of Poppy; a 14 year old school girl who has just begun studying at an all-girls school.

Unable to do right from wrong, Poppy makes friends, breaks them, daren’t be too clever, too stupid, too fat nor to thin and Izzy Tennyson morphs herself into the character with terrifying ease.

The opening scenes are a strong vehicle for Tennyson’s talents as a performer and writer, but this strength isn’t maintained throughout, with the production becoming repetitive and the character becoming too Vicky Pollard to sustain the audiences early interest. 

EDINBURGH FRINGE REVIEW: Ross & Rachel, Assembly Box

A dark and moving play, Ross and Rachel trials the highs and lows of modern love and a woman’s struggle to forge an identity outside of her relationship status.

Not at all comical or frivolous like the title may suggest, James Fritz’ play is told by just one performer, Molly Vevers, who shines in this production. Blending effortlessly between the husband and wife of this story, she is a captivating and emotional performer who is utterly magical in this tight and tense play.

Simply staged in the Assembly Box venue, the audience are taken on her roller-coaster journey as she attempts to be a good wife, support her dying husband and suppress feelings for “Daniel”.

Saturday, 8 August 2015

REVIEW: Miss Saigon at the Prince Edward Theatre

There is a huge hype around this show (which is closing in February 2016) and we here at Pocket Size Theatre hadn’t gotten the chance to see it yet, until we were invited by the new theatre ticketing app TodayTix. Click here for a £10 voucher for the app!

The show is stunning, I wasn’t expecting to be so impressed with it but it had so much heart and passion within it. A modern adaptation of the Opera Madame Butterfly, the story is epic. It pulls you in a doesn’t let go until the curtain falls at the end. 


ALBUM REVIEW: Something Rotten! original cast recording

Something Rotten is one big comedic ode to 16th Century performance, centred around William Shakespeare. It’s fun and playful; filled with intelligent comedic writing that isn’t too outrageous and strikes the balance between musical brilliance and entertainment perfectly. 

There’s nothing offensive that might upset you, Something Rotten is tame; free of foul language and adult topics, so it’s suitable for kids and adults alike.


REVIEW: Miss Leading Ladies at the St. James Studio Theatre

This wonderfully funny show takes a nostalgic look at some of the greatest ladies to have graced the stage and screen.

As the audience steps into the studio, they are immediately transported into what spears to be a smoky jazz club, helping the audience to get in the mood for what they were about to see. But it also allows them to focus on brother and sister duo Ceri Dupree and Ria Jones constantly without ever losing our attention.

ALBUM REVIEW: Confessions of a Justified Sinner, the debut album from Will Barratt

Will Barratt is launching his debut album of self-penned songs, ‘Confessions of a Justified Sinner’. Featuring 14 original songs written by Will over the past 15 years, the album includes a song co-written and performed with Nadim Naaman, plus a solo and a duet from Rebecca Trehearn.

“If you like songs with a flavour of musical theatre, you’ll like this… but this is more than musicals. Great original tunes and great performances. I really enjoyed it!” – John Owen-Jones

REVIEW: The Clown of Clowns, as part of the Arcola's Opera Festival 'Grimeborn'

Part of the Grimebourn festival at the Arcola Theatre, this is truly a show of two contrasting halves. In the first part, the audience are treated to a rather melancholy and sombre interpretation of Pierrot Lunaire that is difficult to understand.

Formed of a selection of 21 poems from Otto Erich Hartleben’s German translation of Albert Giraud’s cycle of French poems, Schoenberg’s melodrama doesn’t feel as though it has much purpose. This is where Constella ballet and orchestra come in.

Friday, 7 August 2015

REVIEW: Avenue Q at the New Victoria Theatre in Woking

Like an after-hours episode of Sesame Street or late-night Muppets, Avenue Q is the polar opposite of most mainstream musicals. Cheeky, rude and risqué, this production delights the audience from start to finish.

Following the lives of a strange bunch of characters living on run-down Avenue Q, the story focuses on friendship, love and doing nice things for each other. It’s a simple enough tale brought to life by some fancy puppetry, memorable and delightful songs and colourful storytelling.
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